When I Think of Home (I Think of I Love Lucy)

Since I was a kid, I have been obsessed with I Love Lucy. Upon reflection, I realize the show taught me lots of lessons that have helped in my design career.

Like many of my clients, Lucy and Ricky Ricardo’s story is that of the American Dream. Yes, Lucy always wanted to get into show business and become a star, but as the show went on, the Ricardos became parents and began to move upward economically. Their homes grew in size and became more refined as the couple achieved greater success. And Lucy was always interested in having the most beautiful home possible.

At the beginning of the show, Ricky was an employee in a nightclub.  As the series progressed, he became the owner of the club. Along the way he was courted by Hollywood and made a film for MGM. He was able to afford a much better lifestyle.

A 1953 "Live Like Lucy" advertisement. Note the price for the complete "I Love Lucy" suite of bedroom furniture: $198.00

A “Live Like Lucy” advertisement from 1953. Note the price for the complete “I Love Lucy” suite of bedroom furniture!

Early Lucy

In the show’s first season, 1951-52, the Ricardos live in a rented apartment in Manhattan’s East 60s. Fred and Ethel Mertz are their landlords, neighbors, and best friends. Both couples live in downscale apartments, design-wise.

The plan of Lucy and Ricky Ricardo's first classic New York City one-bedroom apartment--with twin beds.

The plan of Lucy and Ricky Ricardo’s first New York City apartment–a classic one-bedroom (with twin beds). Plans for all of Lucy and Ricky’s residences, along with those of many other iconic sitcom families, can be found in the entertaining book TV Sets: Fantasy Blueprints of Classic TV Homes, by Mark Bennett. 

Lucy, Fred, Ethel, and Ricky in the living room of the first apartment.

Lucy, Fred, Ethel, and Ricky in the living room of their first apartment.

In season two, Lucy enters the “Home Show” and thinks she’s won an apartment’s worth of new furniture. She sells all their old furniture, and she and Ethel re-wallpaper the bedroom with disastrous results. This may have been the first example of DIY on a sitcom.

Lucy wallpapers the bedroom disastrously.

Lucy wallpapers the bedroom–disastrously.

Second Apartment

With the addition of a new baby, Little Ricky, the Ricardo’s place proves too small, so they move into a new two-bedroom apartment in the same building. This space has a window in the living room, as well as a nursery.

The Ricardo's second NewYork City apartment had two bedrooms and a prominent window in the living room.

The Ricardo’s second apartment had two bedrooms and a large window in the living room.

A rare color photograph of the second apartment set, which was filmed in black and white.

A rare color photograph of the second apartment set, which was filmed in black and white, with an au courant one-armed sofa.

In a later episode, Lucy cons Ricky into buying all new furniture for the living room, including a one-armed mid-century sofa. They give the Mertzes their old furniture and help them redo their place. This results in another fiasco as Fred unwittingly switches on the fan while they are reupholstering a chair, blowing feathers everywhere.

Feathers fly during the redecoration of the Mertz's apartment.

Feathers fly during the redecoration of the Mertz’s apartment.

Hollywood, California

In season four, Ricky gets an offer from MGM and the Ricardos move to Hollywood while he’s filming. The studio puts them up in a suite in the glamorous “Beverly Palms Hotel.” This is a fantastic set with great mid-century furniture. They also visit sets based on the Brown Derby restaurant, William Holden’s house, the Don Loper dress salon, and other iconic LA interiors.

The plan of the Beverly Palms Hotel suite that was the Ricardo's home while they were in Hollywood.

The plan of the Beverly Palms Hotel suite that was the Ricardo’s home while they were in Hollywood.

A color shot of the Beverly Palms suite set.

A color shot of the living room on the Beverly Palms suite set.

Lucy in Hollywood.

Lucy in Hollywood.

The Beverly Palms set was dressed with great midcentury furniture like this striking upholstered armchair.

The Beverly Palms set was dressed with great mid-century furniture like this striking upholstered armchair.

Westport, Connecticut

Back on the East Coast, Lucy falls in love with the idea of living in the country. Now that Ricky is successful, they can afford a house and they buy a vintage Colonial in Westport, Connecticut. In my favorite episode, competitive next door neighbor, Betty Ramsey, takes Lucy shopping for a whole new house full of Early American furniture. Lucy blows the budget when she mistakes the stock numbers for prices.

The plan of the Ricardo's Colonial house in Westport, Connecticut

The plan of the Ricardo’s Colonial house in Westport, Connecticut

Ricky and Lucy in the living room of their Westport house.

Ricky and Lucy in the living room of their Westport house.

The Westport dining room.

The Westport dining room.

I have had clients for whom I have designed multiple homes over the years. I’ve watched them and their families grow and evolve, just like Lucy and Ricky–maybe not so comically, but just as rewardingly.

My next post will be my report from the Architectural Record Innovation Conference.

Posted in Apartment Design, Furniture, Wallpaper | 1 Comment

House of Flowers

I had a beautiful dinner the other night with award-winning garden writer Jack Staub and his partner, landscape, floral, and event designer Renny Reynolds, at their home near Palm Beach. Fellow guests included Lou Tyrell, artistic director of the Theater at Arts Garage; artist Kathleen Holmes; my husband, composer-lyricist Keith Gordon; and Paul Bernabeo and his husband David Cohen.

The house, which is on the Intracoastal Waterway at Point Manalapan, a small community on the southern tip of Hypoluxo Island, was featured in Elle Decor. It’s such a unique and interesting place, I thought I’d share the photos.

Renny Reynolds designed the reflecting-pool garden. Photograph by William Waldron

Renny Reynolds designed the reflecting-pool garden at his and Jack Staub’s house in Point Manalapan, near Palm Beach, Florida. Photograph by William Waldron

Barry Goralnick visits the home of Renny Reynolds and Jack Staub in Point Manalapan, Florida

The view of the Intracoastal Waterway from the loggia. Photograph by William Waldron

Living room furniture includes 1940s armchairs by Paul T. Frankl. Photograph by William Waldron

Living room furniture includes 1940s armchairs by Paul T. Frankl. Photograph by William Waldron

The living room ceiling was painted by Claudia Funke. Photograph by William Waldron

The decoration of living room ceiling is an ongoing painting project by artist Claudia Funke, the cast-iron Buddha heads are 19th century, and the whimsical seashell mirror was made by Jack Staub. Photograph by William Waldron

Seating on the loggia includes a wicker day bed by Vladimir Kagan. Photograph by William Waldron

Seating on the loggia includes a wicker day bed by Vladimir Kagan. Photograph by William Waldron

An antique Japanese screen on the dining room wall. Photograph by William Waldron

An antique Japanese screen on the dining room wall. Photograph by William Waldron

Chester the dog relaxes on an 18th-century chaise in the master bedroom. Photograph by William Waldron

Chester the dog relaxes on an 18th-century chaise in the master bedroom. Photograph by William Waldron

Jack and Renny also run Hortulus Farm, a hundred acre, 18th-century farmstead and nursery operation in the beautiful, rolling hills of Bucks County, Pennsylvania. You can take a video tour of its stunning gardens here.

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In Good “Company”

Marisa Marcantonio, who edits one of my favorite blogs, Stylebeat.com, recently quizzed me about the Design Leadership Summit, which took place in New York City, November 5 through 7. A three-day conference of design leaders from all over the country, this year it was held in great Manhattan venues like the Celeste Bartos Forum at the New York Public Library (where Paul Goldberger interviewed Norman Foster), the IOC Building, Lincoln Center, and culminated in a day at the Norman Foster-designed Hearst Tower.

A dinner event at the New York Public Library

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Connecting with Libby Langdon between sessions at the Design Leadership Summit

MM What did you get out of the DLS?

BG Hearing perspectives from people in all different aspects of our business is fascinating. What do developers think? What are they looking for when hiring a designer? What are the editors keeping an eye out for? How do we incorporate new technology into our business? And how do we use it to expand our opportunities? How do we respond to the constant demands of the digital age?

I am under consideration to design a new restaurant. I am also a frequent diner at Maialino. I learned a lot hearing how David Rockwell and Danny Meyer worked together to create one of my favorite environments. There were several good nuggets of information applicable to my project.

MM What were some memorable moments for you? 

BG I loved hearing Arianna Huffington talk about the intersection of neuroscience and design. I always enjoy hearing about the benefits of design, and she informed us how creating the right environment can actually significantly improve and extend our lives. She also spoke about shutting out our fast-paced world, and destressing so we can enjoy life and ultimately be better at our jobs.

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Arianna Huffington

She talked about the importance in life of taking a risk and quoted her mother as saying, “Failure is the stepping stone to success.” As designers, every day is a risk, as we are constantly presenting our point of view and putting it out there.

Another favorite quote from her: “We are only as original as our inspiration is obscure.”

MM What did you leave inspired to take action on in your life, business, or both?

BG While designing several different types of projects—both architecture and interiors—I have been evolving my brand with my own lines of products. I now have licensees in lighting, carpet, tile, and furniture. I found many of the speakers to be very empowering regarding taking risks, believing and defining your own point of view, and directing your own path. One speaker said, “Luck is opportunity meets preparation.”  Luck alone isn’t enough to sustain a career without the goods to back it up. He also said that for designers “our currency is our imaginations,” and that is limitless.

MM A sense of community can be very valuable in this often fragmented industry- what does this community provide for you? Shared resources? Like-minded friends?

BG I am part of Designers Collaborative, a group of ten New York based designers and architects. We have been meeting for 20 years and have become great friends. We share resources, discuss professional issues, bring in speakers, go on field trips—and drink wine. We are all in the same field and I think people would be surprised at how much we share. Our talents and personalities are very different and we support and help each other. In a field that is sometime very solitary, we have a wonderful support group. The DLS feels like the same concept on a much bigger scale.

It was great to see people I have known and worked with for many years, more recent friends, and to make new friends from all over the country. We all share a love of design and have common goals, so there was an instant comradeship.

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Here I am with Elle Decor editor-in-chief Michael Boodro and fellow Designers Collaborative member Glenn Gissler.

MM Who was your favorite speaker and why?

BG My favorite speaker was Andy Spade, since I’m focusing on product, as well as design projects. He was very clever and articulate. I liked hearing how he created the brands for  his wife Kate Spade’s and himself, as well as others like J. Crew and Warby Parker. He created good product backed up by very smart positioning and a real relationship of the brands to the end users. When he effortlessly explained the strategy, you thought, “Of course, what other way would one conceive of that?”

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Andy Spade

I also loved hearing the venerable Oscar de la Renta say that the most important thing for him was curiosity: “Every single day is a learning process.” That has always been my motto, as well. It was also great to schmooze with the such design-world luminaries as Newell Turner, editor-in-chief of Hearst Design Group, Michael Boodro, editor-in-chief of Elle Décor and Clinton Smith, editor-in-chief of Veranda.

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Oscar de la Renta and Bunny Williams

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