The Name of the Game

In honor of our milestone anniversary, we decided to give the firm a fresh image: new website, new logo & icon, and soon a new space. This seemed appropriate as we are growing into many new product categories in 2015, including our new furniture collection at Ferrell + Mittman.

For the new logo & icon, I collaborated with Nina Schuermaier, who creates all our visual branding. She created our most recent logo in 2000.

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Nina also designed the logo for my theater company, FRESH PRODUCE, INC.   which won an international graphic design award.

Fresh Produce

In developing the new logo & icon, Nina asked for an image that would have significance to me and the firm. She came up with some strong ideas, but nothing yet seemed to capture the essence and personality of our firm today.

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I remembered that I had a signet ring that I designed for myself when I was a small boy, and I sent Nina the image.

Gottridge Apatment NYC  - For Barry Goralnick

Nina developed some terrific graphic interpretations of the image with coordinating logo designs. She sent me 12 variations on this idea, including:   Screen Shot 2014-12-17 at 12.04.02 PM Screen Shot 2014-12-17 at 12.04.14 PM  Screen Shot 2014-12-17 at 12.04.28 PM

We selected the icon, logo design, and color that truly capture the spirit of our company. It makes me smile when I think of the history and meaning behind that image.  The updated, contemporary-retro vibe evokes the perfect design statement for our firm, whose motto is “blended modern.”

The name of the game?  Be true to where you come from, yet always look to the future and evolve.

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Bright Light, Big City

Recently, my friend Sully Bonnelly, who is a brilliant fashion and homeware designer,  had an inspired idea after reading an editorial that featured my Bracelet lamp from Circa Lighting: He wanted to see the lamp out of its typical interior setting and take it for a “tour” around Manhattan.

This collaborative photo essay is the result of our action-packed seven-hour adventure around the sights of New York City.

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Another Op’nin’, Another Show(room)

THE ASSIGNMENT
Recently, John-Richard Furniture & Accessories engaged me to reposition, re-conceive, and re-merchandise their flagship showroom in the New York Design Center at 200 Lexington Avenue.

GORALNICK repositioned and reconceived the showroom for John Richard Furniture & Accessories flagship showroom in the New York Design Center.

GORALNICK repositioned and re-conceived the John Richard Furniture & Accessories flagship showroom in the New York Design Center.

THE CHALLENGE
The process started with a trip to 200 Lex to assess the situation. The existing space was chockablock with pieces: It gave the impression of a tag sale. The walls were smothered in artwork; there was a lot of traditional furniture, most of which was covered in a mélange of over-exuberant fabrics; and a generous quantity of silk botanical arrangements added to the visual noise. It was too much of too much.

Before Image

After poring over the John-Richard catalog and website, it was clear that the company has a wide array of pieces, many of them quite good on their own. The challenge was to re-engage members of the New York design community and help them to actually see what strong offerings John-Richards has in their current lines.

THE STRATEGY
The strategy I put forth was to highlight and focus on the strongest designs most appropriate for the New York market and then let the pieces speak for themselves. This meant curating and editing with a disciplined, merciless eye, while removing any distracting visual chatter.  The selected pieces were to be shown in an uncluttered setting, and grouped in an inspiring, relatable, visually digestible way.

John-Richard New York Showroom renovated by Barry Gorlanick 1

The reconceived John-Richard showroom presents furniture and accessories appropriate for the New York market in a pared-down, non-distracting environment that allows the pieces to speak for themselves.

Though John-Richard has a large selection of fabrics, our merchandising strategy was to show all of the upholstered pieces in natural-color linens and leathers. This allows the eye to see the design of each piece–and its full potential–without distraction.

THE EXECUTION
We started by identifying the strongest sellers and strongest designs in absolute terms. Then we began clearing the underbrush.  Next, a master floor plan was conceived, placing furniture in combinations that complemented, but did not distract from, the tasteful design of each individual piece. Vignettes incorporating a combination of modern, transitional, and traditional styles were created, similar to how most designers would use pieces in their own work.

John-Richard New York Showroom renovated by Barry Gorlanick

The vignettes mix modern, transitional, and traditional pieces just as a designer would in his or her own work.

Accent pieces and colors were kept to a tasteful minimum: pillows with a pop of coral, some quiet celadon items, and a few animal prints (nature’s own neutral).

The majority of the showroom walls were repainted in sophisticated taupe.  In order to add warmth, create a sense of place with dimension, and provide visual relief, a muted coral and darker taupe/grey were used in two of the interior rooms.

John-Richard New York Showroom renovated by Barry Gorlanick

Some of the showroom’s walls were painted a muted coral to add warmth and create a sense of dimension and visual variety.

 THE RESULT
We unveiled the finished showroom at a launch party for Susanna Salk’s book, Decorate Fearlessly! (Rizzoli New York). The New York designer community turned out to see the results, including Charlotte Moss, Stephanie Odegard, Jim Druckman, and Glenn Gissler, among many others.

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The response has been exactly what we set out to achieve: Designers who have shopped John-Richard before are amazed at the transformation. Now they are immediately and easily discovering pieces for current projects, pleasantly surprised and inspired by the quality and sophistication of the company’s offerings.  Other designers think that a new showroom has moved into 200 Lexington: John-Richard is is a fresh resource they will return to again.

John-Richard New York showroom manager Christi Stevens with Barry Goralnick

John-Richard New York showroom manager Christi Stevens and me in the repositioned space.

Some favorite reactions to the unveiling were shared by the New York showroom manager, Christi Stevens:

“The showroom looks AMAAAAAZZING! You have revolutionized the look. The neutral fabrics, the paint colors, it’s spectacular.”
Teles & Adams

“Wow, you have really changed the look. It’s unbelievable. The entire company should go in this direction. I love it.”
Jeff Einhorn, St. James Design

“Can I stay here and work?  It’s s so peaceful and serene.”
James Rixner

“I love your selection of pieces. I would have picked the same things.”
Fred M. Kentop

Since the repositioning and redesign, the John-Richard New York showroom has experienced a significant increase in the number of quotes, as well as sales. As Jack Dorsey, Twitter co-founder says, “Make every detail perfect and limit the number of details to perfect.”

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